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Portrait of a Young Woman is a c.1518-1519 oil on panel painting by Raphael and Giulio Romano, now in the Musée des Beaux-Arts in Strasbourg, for which it was acquired by Wilhelm von Bode, who bought it in London in 1890. It was previously recorded in London in the Acton collection. Its inventory number is 175. [2]
"La Fornarina (The Portrait of a Young Woman) is a painting by the Italian High Renaissance master Raphael, made between 1518 and 1519. It is an oil-on-panel with 86 x 58 cm dimensions, located in Room IX of the Borghese Gallery.In Olimpia Aldobrandini's two inventories (1626 and 1682), the art work is attributed to Raphael.
The Portrait of a Young Woman, also known as La Muta, is an oil on wood portrait by the Italian Renaissance artist Raphael, executed c. 1507–1508. It is housed in the Galleria Nazionale delle Marche, in Urbino. The picture portrays an unknown noblewoman over a near-black background, showing some Leonardesque influences.
Christof Thoenes observes: "However unabashedly Raphael adopts the pose, compositional framework and spatial organization of the Leonardo portrait...the cool watchfulness in the young woman's gaze is very different" from the "enigmatic ambiguity" of Mona Lisa. [2] The work was of uncertain attribution until recent times.
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The Transfiguration is the last painting by the Italian High Renaissance master Raphael.Cardinal Giulio de Medici – who later became Pope Clement VII (in office: 1523–1534) – commissioned the work, conceived as an altarpiece for Narbonne Cathedral in France; Raphael worked on it in the years preceding his death in 1520. [1]
Portrait of Doña Isabel de Requesens y Enríquez de Cardona-Anglesola is an oil painting dated circa 1518 that was formerly believed to depict Giovanna d'Aragona.It has been variously ascribed to Raphael, Giulio Romano, or the school of Raphael; it is now usually taken to have been executed by Giulio Romano based on a sketch by Raphael and then altered by Raphael.
Raphael and La Fornarina is an oil painting on canvas executed in 1813, in Italy, by Jean-Auguste-Dominique Ingres. [1] It is the first of five versions of the painting he produced between 1813 and his death in 1867. [2]