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The term post-disco is a referral to the early to late 1980s era movement of disco music into more stripped-down electronic funk influenced sounds; post-disco was also predecessor to house music. This chronological list contains examples of artists described as post-disco .
Old-school hip hop (also spelled old skool) (also known as disco-rap) is the earliest commercially recorded hip hop music and the original style of the genre. It typically refers to the music created around 1979 to 1983, [1] as well as any hip hop that does not adhere to contemporary styles. [2]
[8] In 2014, Chris Gerard from Metro Weekly ranked it among "Erasure's 40 Greatest Tracks", calling it an "old-school disco raver", that is "driven by frenetic beat, streams of keyboards that sound like lasers beaming into space, and an unforgettable melody sung with great soul by Andy Bell." He added that "Chorus" is one of the Erasure's ...
Songs such as "Come Go with Me" by Exposé, "Show Me" by the Cover Girls, "Fascinated" by Company B, "Silent Morning" by Noel, and "Catch Me (I'm Falling)" by Pretty Poison, brought freestyle into the mainstream. House music, based partly on disco rhythms, was by 1992 challenging the relatively upbeat, syncopated freestyle sound. [14]
These are the Billboard Hot Dance/Disco Club Play and Maxi-Singles Sales number-one hits of 1995. Issue date Club Song ... "Dear Mama" / "Old School" 2Pac [19] [20 ...
Rhythmic oldies is a radio format that concentrates on the rhythmic, R&B, disco, or dance genres of music. Playlists can span from the 1960s through the 2000s and, depending on market conditions, may be designed for African-American or Hispanic audiences.
Nu-disco is a 21st-century dance music genre associated with the renewed interest in 1970s and early 1980s disco, [131] mid-1980s Italo disco, and the synthesizer-heavy Euro disco aesthetics. [132] The moniker appeared in print as early as 2002, and by mid-2008 was used by record shops such as the online retailers Juno and Beatport. [ 133 ]
"Shame, Shame, Shame" is a 1974 hit song written by Sylvia Robinson, performed by American disco band Shirley & Company and released on the Vibration label. The female vocalist is Shirley Goodman, who was one half of Shirley & Lee, who had enjoyed a major hit 18 years earlier, in 1956, with the song "Let The Good Times Roll" for Aladdin Records.
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