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Deus ex machina in Euripides' Medea, performed in 2009 in Syracuse, Italy; the sun god sends a golden chariot to rescue Medea.. Deus ex machina (/ ˌ d eɪ ə s ɛ k s ˈ m æ k ɪ n ə, ˈ m ɑː k-/ DAY-əs ex-MA(H)K-in-ə, [1] Latin: [ˈdɛ.ʊs ɛks ˈmaːkʰɪnaː]; plural: dei ex machina; English "god from the machine") [2] [3] is a plot device whereby a seemingly unsolvable problem in a ...
Deus Ex Machina (motion-captured by Henry Blasingame, voiced by Kevin Michael Richardson) is the central interface of the Machine City that debuts in the third movie. It consists of a vast swarm of tiny Sentinels that emerge from hatches in a frame plate to form a three-dimensional image of a human face.
Deus caritas est: God Is Love: Title and first words of the first encyclical of Pope Benedict XVI. For other meanings see Deus caritas est (disambiguation). deus ex machina: a god from a machine: From the Greek ἀπὸ μηχανῆς θεός (apò mēchanēs theós). A contrived or artificial solution, usually to a literary plot.
The Latin phrase "deus ex machina" has its origins in the conventions of Greek tragedy, and refers to situations in which a mechane (crane) was used to lower actors playing a god or gods onto the stage at the end of a play. The Greek tragedian Euripides is notorious for using this plot device as a means to resolve a hopeless situation.
The drama ends well, and Orgon announces the upcoming wedding of Valère and Mariane. The surprise twist ending, in which everything is set right by the unexpected benevolent intervention of the heretofore unseen king, is considered a notable modern-day example of the classical theatrical plot device deus ex machina.
It is often used as a means to create dramatic tension in the story and to have the villain reveal important information to the hero, confident that the hero will shortly not be able to use it. It may also be a means to show the hero's resourcefulness in escaping, or the writer's ingenuity at devising a last-minute rescue or deus ex machina.
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Macheath escapes this fate via a deus ex machina moments before the execution when, in an unrestrained parody of a happy ending, a messenger from the Queen arrives to pardon Macheath and grant him the title of baron. [27] The details of the original 1928 text have often been substantially modified in later productions. [28]