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Morning View is the fourth studio album by American rock band Incubus, released October 22, 2001, through Epic Records. A companion DVD, The Morning View Sessions , was released on May 29, 2002. Continuing the move away from nu metal , the album ranges widely from soft to hard rock sounds in the style of alternative rock . [ 5 ]
In 2023, the band reworked and re-recorded their 2001 album Morning View, the result titled Morning View XXIII. This was the first release to include new bassist Nicole Row . [ 2 ]
Living on Morning View; Introducing The House; Early Jamming On 11 A.M. Jose in "Where's My Shorts?" Picking Rooms; Sunset Timelapse; Incubus Goes Bananas; Wish You ...
Incubus' Brandon Boyd talks about re-recording the band's pivotal 2001 album, 'Morning View.' ... When I hear your versions of these songs, I think of, for example, “11am,” which sounds so ...
"Wish You Were Here" is a song by American rock band Incubus and the lead single from their fourth studio album, Morning View. Released on August 14, 2001, it peaked at number two on the US Billboard Modern Rock Tracks chart and number four on the Billboard Mainstream Rock chart that year.
The Bee Gees scored the most number-one hits (9 songs) and had the longest cumulative run atop the Billboard Hot 100 chart (27 weeks) during the 1970s. Rod Stewart remained at the top of the Billboard Hot 100 chart for 17 weeks during the 1970s. Elton John amassed the second-most number-one hits on the Hot 100 chart during the 1970s (6 songs). #
Monuments and Melodies is the first greatest hits compilation album by American rock band Incubus released on June 16, 2009, through Epic Records. [1] It was released as a double-disc set, the first disc featuring 13 previously released singles from the albums Make Yourself, Morning View, A Crow Left of the Murder..., and Light Grenades, along with two new Brendan O'Brien–produced tracks ...
The album received mixed responses from critics reflected on Metacritic by its normalized score of 55 out of 100 based on 12 reviews. [1] Jonathan Ringen of Rolling Stone called it "a catchier-than-chlamydia mix of power-pop hooks and effects-heavy riffage" but noted that "all the candy-coated excess might leave you feeling a little like Courtney Love after a heavy night". [4]