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View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph. [1] Original (left) and colorized reoriented enhancement (right).. The history of photography began with the discovery of two critical principles: The first is camera obscura image projection; the second is the discovery that some substances are visibly altered by exposure to light. [2]
The Photo History Timeline Collection; In the eye of the camera — Illustrated historical essay about early photography; Lippmann's and Gabor's Revolutionary Approach to Imaging; The Digital Camera Museum with accurate history section and many rare items Archived 2017-02-16 at the Wayback Machine; The Fascinating Timeline of Photography Technology
This is a list of photographs considered the most important in surveys where authoritative sources review the history of the medium not limited by time period, region, genre, topic, or other specific criteria.
The history of the camera began even before the introduction of photography. Cameras evolved from the camera obscura through many generations of photographic technology – daguerreotypes , calotypes , dry plates , film – to the modern day with digital cameras and camera phones .
The first permanent photograph, a contact-exposed copy of an engraving, was made in 1822 using the bitumen-based "heliography" process developed by Nicéphore Niépce.The first photographs of a real-world scene, made using a camera obscura, followed a few years later at Le Gras, France, in 1826, but Niépce's process was not sensitive enough to be practical for that application: a camera ...
In 1839, the daguerreotype photographic process invented in France was introduced into the United States by an Englishman named D.W. Seager, who took the first photograph of a view of St. Paul’s Church and a corner of the Astor House in Lower Manhattan in New York City.
The core of Bystander is "a roughly chronological survey of European/American street photography featuring its key innovators, styles, and trends". [6] Westerbeck was responsible for the text, [6] which includes "subjects like the ethics of photographing human suffering or role of images in shaping collective perception of events". [5]
Jeffrey is the author of a series of illustrated books on the history of photography. [3] He is a recipient of the Royal Photographic Society 's J. Dudley Johnston Award. Life and work