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Watts Gallery – Artists' Village is an art gallery in the village of Compton, near Guildford in Surrey. It is dedicated to the work of the Victorian-era painter and sculptor George Frederic Watts .
Richard Jefferies agreed to sit for Jon Edgar for a portrait using local Compton clay quarried from the foundations of the Brickfields pottery of Mary Wondrausch.The portrait was unveiled at the re-opening of the Watts Gallery in June 2011 and forms part of the Compton Triptych [2] unveiled at The Human Clay exhibition, Lewis Elton Gallery, University of Surrey in November 2011.
The Watts Gallery, Compton [10] One of Compton's most decorated residents by his profession was the artist who was primarily a painter, George Frederic Watts, who lived his later life at a house he called "Limnerslease", [11] close to which is the early 20th century Watts Gallery, dedicated to his work. The gallery is open to visitors.
Watts worked on the painting for a further five years, and the completed version was exhibited for the first time at the New Gallery in 1891. Between 1902 and 1906 the painting was exhibited around the United Kingdom, and it is now in the collection of the Watts Gallery in Compton, Surrey.
Wilfrid Jasper Walter Blunt (19 July 1901 – 8 January 1987), known simply as Wilfrid Blunt, was an English art teacher, writer, artist and a curator of the Watts Gallery in Compton, Surrey, from 1959 until 1983.
She designed, built, and maintained the Watts Mortuary Chapel in Compton (1895–1904); and had built and maintained the Watts Gallery (1903–04) for the preservation of her husband's work. Watts exhibited her work at The Woman's Building at the 1893 World's Columbian Exposition in Chicago, Illinois. [12]
a Although the memorial had been designed with space for 120 tablets, the Watts Gallery had been hostile to plans to complete it beyond the 53 tablets existing at the time of Mary Watts's death, considering the monument in its unfinished state to be a symbol of the Watts's values and beliefs, and that its status as a historic record of its time ...
Watts said it was a symbol of "that restless physical impulse to seek the still unachieved in the domain of material things". The original plaster maquette is at the Watts Gallery, and there are four full-size bronze casts: one in London, one in Cape Town, one in Harare and one soon to be sited at Watts Gallery - Artists' Village in Compton ...
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