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Maurits Cornelis Escher (/ ˈ ɛ ʃ ər /; [1] Dutch: [ˈmʌurɪts kɔrˈneːlɪs ˈɛɕər]; 17 June 1898 – 27 March 1972) was a Dutch graphic artist who made woodcuts, lithographs, and mezzotints, many of which were inspired by mathematics.
Reptiles depicts a desk upon which is a two dimensional drawing of a tessellated pattern of reptiles and hexagons, Escher's 1939 Regular Division of the Plane. [2] [3] [1] The reptiles at one edge of the drawing emerge into three dimensional reality, come to life and appear to crawl over a series of symbolic objects (a book on nature, a geometer's triangle, a three dimensional dodecahedron, a ...
Regular Division of the Plane III, woodcut, 1957 - 1958.. Regular Division of the Plane is a series of drawings by the Dutch artist M. C. Escher which began in 1936. These images are based on the principle of tessellation, irregular shapes or combinations of shapes that interlock completely to cover a surface or plane.
Circle Limit III is a woodcut made in 1959 by Dutch artist M. C. Escher, in which "strings of fish shoot up like rockets from infinitely far away" and then "fall back again whence they came". [1] It is one of a series of four woodcuts by Escher depicting ideas from hyperbolic geometry. Dutch physicist and mathematician Bruno Ernst called it ...
Sky and Water I is a woodcut print by the Dutch artist M. C. Escher first printed in June 1938. The basis of this print is a regular division of the plane consisting of birds and fish . Both prints have the horizontal series of these elements —fitting into each other like the pieces of a jigsaw puzzle —in the middle, transitional portion of ...
Photomontage featuring an ambigram "Escher" and reversible tessellation background. Drawing Hands is a lithograph by the Dutch artist M. C. Escher first printed in January 1948. It depicts a sheet of paper, out of which two hands rise, in the paradoxical act of drawing one another into existence. This is one of the most obvious examples of ...
Historically, tessellations were used in Ancient Rome and in Islamic art such as in the Moroccan architecture and decorative geometric tiling of the Alhambra palace. In the twentieth century, the work of M. C. Escher often made use of tessellations, both in ordinary Euclidean geometry and in hyperbolic geometry, for artistic effect.
The woodcut depicts a landscape mirrored horizontally with respect to the center of the image. It has two cities, each with an associated river and an interlocking pattern of birds gradually appearing towards the top of the image making a tessellation. These birds appear from the tiles of the landscape and become more detailed towards the ...
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