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Such an audio recording system includes two devices: the PCM adaptor, which converts audio into pseudo-video, and the videocassette recorder. A PCM adaptor performs an analog-to-digital conversion producing series of binary digits, which, in turn, is coded and modulated into a black and white video signal, appearing as a vibrating checkerboard ...
Between the invention of the phonograph in 1877 and the first commercial digital recordings in the early 1970s, arguably the most important milestone in the history of sound recording was the introduction of what was then called electrical recording, in which a microphone was used to convert the sound into an electrical signal that was ...
1991: Alesis Digital Audio Tape is a tape format used for simultaneously recording eight tracks of digital audio at once, onto Super VHS magnetic tape – a format similar to that used by consumer VCRs. The product was announced in January 1991 at the NAMM Show. The first ADAT recorders shipped over a year later in February or March 1992. [52]
Audio-to-video synchronization (AV synchronization, also known as lip sync, or by the lack of it: lip-sync error, lip flap) refers to the relative timing of audio (sound) and video (image) parts during creation, post-production (mixing), transmission, reception and play-back processing.
Rather than using rough 19th-century technology to create playable versions, they were scanned into a computer and software was used to convert their sound-modulated traces into digital audio files. Brief excerpts from two French songs and a recitation in Italian, all recorded in 1860, are the most substantial results. [11]
With the introduction of SMPTE timecode in the early 1970s, engineers began to use computers to perfectly synchronize separate audio and video playback, or multiple audio tape machines. In this system, one track of each machine carried the timecode signal, while the remaining tracks were available for sound recording.
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