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Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
Diana the Huntress - School of Fontainebleau, 1550–1560, (Louvre). The School of Fontainbleau (French: École de Fontainebleau) (c. 1530 – c. 1610) refers to two periods of artistic production in France during the late French Renaissance centered on the royal Palace of Fontainebleau that were crucial in forming Northern Mannerism, and represent the first major production of Italian ...
The dominant art forms of the English Renaissance were literature and music, which had a rich flowering. [93] Visual arts in the English Renaissance were much less significant than in the Italian Renaissance. The English Renaissance period in art began far later than the Italian, which had moved into Mannerism by the 1530s. [94]
Renaissance sculpture took as its basis and model the works of classical antiquity and its mythology, with a new vision of humanist thought and the function of sculpture in art. As in Greek sculpture, the naturalistic representation of the naked human body was sought with a highly perfected technique, thanks to the meticulous study of human ...
Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brera, Milan.. Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers.
See also Early Renaissance painting and Renaissance Classicism. Subcategories. This category has the following 61 subcategories, out of 61 total. ...
Antonello da Messina (Italian pronunciation: [antoˈnɛllo da (m)mesˈsiːna]; c. 1425–1430 – February 1479), properly Antonello di Giovanni di Antonio, but also called Antonello degli Antoni [1] and Anglicized as Anthony of Messina, was an Italian painter from Messina, active during the Italian Early Renaissance.
The Renaissance in Ferrara began with the signoria of Leonello d'Este around the mid-15th century. Under Leonello's patronage, Ferrara became a hub for the arts and intellectual thought, attracting prominent artists and scholars of the time. [ 1 ]
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