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Alternately, "politicization of aesthetics" (or "politicization of art") has been used as a term for an ideologically opposing synthesis, [2] wherein art is ultimately subordinate to political life and thus a result of it, separate from it, but which is attempted to be incorporated for political use as theory relating to the consequential ...
The theme of the aesthetic justification of existence Nietzsche introduced from his earliest writings, in "The Birth of Tragedy" declaring sublime art as the only metaphysical consolation of existence; and in the context of fascism and Nazism, the Nietzschean aestheticization of politics void of morality and ordered by caste hierarchy in ...
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Adorno retraces the historical evolution of art [2] into its paradoxical state of "semi-autonomy" within capitalist modernity, considering the socio-political implications of this progression. Some critics have described the work as Adorno's magnum opus and ranked it among the most important pieces on aesthetics published in the 20th century.
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Aesthetic Realism is a philosophy founded in 1941 by the American poet and critic Eli Siegel (1902–1978). [1] He defined it as a three-part study: "[T]hese three divisions can be described as: One, Liking the world; Two, The opposites; Three, The meaning of contempt."
James O. Young, of the University of Victoria, suggests that aesthetic absolutism can be defined as "Aesthetic propositions which only become true if, and only if, the proposition is a matter of fact, by virtue of the judgement being related to the art itself."
Welcome to the Aesthetics and Philosophy of Art Task Force, a task force of WikiProject Philosophy and WikiProject Arts.The task force is a group of pages in the "Wikipedia" article namespace which are devoted to the management of a specific topic or family of topics within Wikipedia; and, simultaneously, a group of editors who use those pages to collaborate on encyclopedic work.