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Jerome Woods (born March 5, 1970, in Benton Harbor, Michigan), better known by his stage name Rome, is an American R&B singer. He is best known for his 1997 single " I Belong to You (Every Time I See Your Face) ", which peaked within the top ten of the Billboard Hot 100 .
Rome is the debut studio album by American contemporary R&B singer Rome, released on April 15, 1997, via RCA Records. The album peaked at No. 30 on the Billboard 200 and at No. 7 on the Billboard R&B chart. [2] Three singles were released from the album: "I Belong to You (Every Time I See Your Face)", "Do You Like This" and "Crazy Love".
Note: These songlists include the names of the artists who most famously recorded the song. The songs as they appear in the game are covers, with the exceptions being the song "Dance Like There's No Tomorrow", which is the master recording of the Paula Abdul song, and 10 original Mowtown songs in the Xbox version of Karaoke Revolution
The song is no Lonely Island banger and the sketch missed the Rome trend by a couple of months, but it makes up for it. First, by Momoa’s sheer glee, which is apparent throughout the episode.
"Now and Forever (You and Me)" is a 1986 song written by David Foster, Randy Goodrum and Jim Vallance and recorded by Canadian country music artist Anne Murray. It was aided by a popular music video, filmed in Toronto. The back-up vocal was sung by Richard Page, lead singer for the pop group Mr. Mister.
"I Belong to You (Every Time I See Your Face)" is a song co-written and performed by American contemporary R&B singer Rome. It is the opening track on his eponymous debut album and was issued as the album's first single. The song is Rome's biggest hit to date on the Billboard Hot 100, peaking at #6 in 1997. [1]
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"Now and Forever" is a song written, produced, and performed by American singer-songwriter Richard Marx. Released in January 1994, the song became a top-10 hit in the United States, Canada, and Norway. The song was used in the 1994 film The Getaway starring Kim Basinger and Alec Baldwin and directed by Roger Donaldson. Marx also recorded a ...