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It became the best-selling solo album in jazz history, as well as the best-selling piano album. And when you listen to it you can hear why. The 1970s were a piano-man age.
The Jazz Review was a jazz criticism magazine founded by Nat Hentoff and Martin Williams in New York City in 1958. It was published till 1961. Hentoff and Williams were co-editors throughout its brief existence (23 issues). Many issues of The Jazz Review are available at Jazz Studies Online, which assesses its quality as follows:
Eduard Hanslick, an influential music critic of the 19th-century. The Oxford Companion to Music defines music criticism as "the intellectual activity of formulating judgments on the value and degree of excellence of individual works of music, or whole groups or genres". [1] In this sense, it is a branch of musical aesthetics.
The Penguin Guide to Jazz awarded it three and a half stars of a possible four, writing: "Unit Structures is both as mathematically complex as its title suggests and as rich in colour and sound as the ensemble proposes, with the orchestrally varied sounds of the two bassists — Grimes a strong, elemental driving force, Silva tonally fugitive ...
Jazz trumpeter Tomasz Stanko ’s first notes on the new album "September Night,” dark and slightly distant, sound as though they’re coming from the hereafter.. Stanko died in 2018, and his ...
European Concert is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded in Sweden in April 1960 and originally released on two consecutive volumes on the Atlantic label.
The AllMusic review by Thom Jurek states, "Weber witnessed this concert from the seats; he was by all accounts not only pleased, but moved. This is an understandable response to Hommage à Eberhard Weber, which not only proves an exception to by-the-numbers tribute recordings, but stands as a daunting, creative, and enduring extension of the bassist's work". [3]
The discography listings include a five star rating, the music label it was released on, and the date as well as possibly reviews of certain albums. These reviews are done by "respected critics" from Jazz Times and Coda. [2] There are also thirty essays on different styles along with "top lists" and extensive charts on the evolution/lineage of ...