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In 2004, Shakespeare's Globe, in London, produced three performances of Romeo and Juliet in original pronunciation. [2] Spearheaded by linguist David Crystal and play director, Tim Carroll, [3] this was the beginning of contemporary interest in Shakespeare in original pronunciation.
The American Heritage Dictionary of the English Language (abbreviated AHD) uses a phonetic notation based on the Latin alphabet to transcribe the pronunciation of spoken English. It and similar respelling systems, such as those used by the Merriam-Webster and Random House dictionaries, are familiar to US schoolchildren.
If there is one generally accepted pronunciation in the field, use that. However, there are often multiple pronunciations heard, along a cline from highly anglicized pronunciations, as found in Shakespeare, to attempts to remain faithful to the Latin or Greek pronunciation. For example, Io may be pronounced either / ˈ aɪ oʊ / or / ˈ iː oʊ ...
The Merriam-Webster Online Dictionary suggests the first pronunciation. Similarly, this pronunciation markup guide will choose the most widely used form. NOTE: This guide is designed to be simple and easy to use. This can only be achieved by giving up scope and freedom from occasional ambiguity.
The pronunciation is encoded using a modified form of the ARPABET system, with the addition of stress marks on vowels of levels 0, 1, and 2. A line-initial ;;; token indicates a comment. A derived format, directly suitable for speech recognition engines is also available as part of the distribution; this format collapses stress distinctions ...
On early English pronunciation: with especial reference to Shakspere [] and Chaucer, containing an investigation of the correspondence of writing with speech in England from the Anglosaxon [] period to the present day means of the ordinary printing types is an 1889 book by Alexander John Ellis.
This is a set of lists of English personal and place names having spellings that are counterintuitive to their pronunciation because the spelling does not accord with conventional pronunciation associations. Many of these are degenerations in the pronunciation of names that originated in other languages.
It is mentioned by the character Costard in Act V, Scene I of William Shakespeare's Love's Labour's Lost. As it appears only once in Shakespeare's works, it is a hapax legomenon in the Shakespeare canon. At 27 letters, it is the longest word in the English language to strictly alternate between consonants and vowels. [1]