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Features of Googie include upswept roofs, curvilinear, geometric shapes, and bold use of glass, steel and neon. Googie was also characterized by Space Age designs symbolic of motion, such as boomerangs, flying saucers, diagrammatic atoms and parabolas, and free-form designs such as "soft" parallelograms and an artist's palette motif. These ...
A mansard roof on the Château de Dampierre, by Jules Hardouin-Mansart, great-nephew of François Mansart. A mansard or mansard roof (also called French roof or curb roof) is a multi-sided gambrel-style hip roof characterised by two slopes on each of its sides, with the lower slope at a steeper angle than the upper, and often punctured by dormer windows.
Cross hipped: The result of joining two or more hip roof sections together, forming a T or L shape for the simplest forms, or any number of more complex shapes. Satari: A Swedish variant on the monitor roof; a double hip roof with a short vertical wall usually with small windows, popular from the 17th century on formal buildings.
Japanese interior design has a unique aesthetic derived from Shinto, Taoism, Zen Buddhism, world view of wabi-sabi, specific religious figures and the West. This aesthetic has in turn influenced Western style, particularly Modernism. [88]
The secondary function is to control solar penetration as a form of passive solar building design; the eaves overhang can be designed to adjust the building's solar gain to suit the local climate, the latitude, and orientation of the building. [5] The eaves overhang may also shelter openings to ventilate the roof space. [6]
Roofs are also designated as warm or cold roof depending on the way they are designed and built with regard to thermal building insulation and ventilation. The steepness or roof pitch of a sloped roof is determined primarily by the roof covering material and aesthetic design. Flat roofs actually
They are the foundations for aesthetic agility, allowing for free ground floor circulation to prevent surface dampness, as well as enabling the garden to extend beneath the residence. [4] [5] Free design of the ground plan – commonly considered the focal point of the Five Points, with its construction dictating new architectural frameworks. [4]
Shimoda Kikutaro raised objections to these designs, by moving two petitions through the Imperial Diet. [5] [3] Shimoda presented a design with a Japanese-styled roof set atop of the body of the building, naming this Emperor's Crown Amalgamate Style, and actively distributed pamphlets about this cause, but was rejected by the architectural ...
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