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In 1934, Vaganova wrote Fundamentals of the Classical Dance, which remains a standard textbook for the instruction of ballet technique. In 1948, Vaganova authored a book titled The Foundation For Dance (more commonly known as Basic Principles of Russian Classical Dance ) that outlined her training method and ballet technique.
The greatest influence on the development of the Cecchetti method was Carlo Blasis, a ballet master of the early 19th century.A student and exponent of the traditional French school of ballet, Blasis is credited as one of the most prominent ballet theoreticians and the first to publish a codified technique, the "Traité élémentaire, théorique, et pratique de l'art de la danse" ("Elementary ...
Ballet technique is the foundational principles of body movement and form used in ballet.It is an important aspect of ballet performance because ballet (especially classical ballet) puts great emphasis on the method and execution of movement. [1]
Dance theory is based on these founding principles, that is the sphere and lines of the body, to derive, show and demonstrate how dance is done. This is achieved by showing which movements to do by and at what speed. It is hypothetically possible to draw and work out a dance by using sphere lines and arrows. Many dance books state how this is done.
Carlo Blasis (Italian pronunciation: [ˈkarlo ˈblazis]; 4 November 1797 – 15 January 1878) [citation needed] was an Italian dancer, choreographer and dance theoretician born in Naples. He is well known for his very rigorous dance classes, sometimes lasting four hours long. He danced in France, Italy, London and Russia. [1]
Enrico Cecchetti (Italian pronunciation: [enˈriːko tʃekˈketti]; 21 June 1850 – 13 November 1928) was an Italian ballet dancer, mime, and founder of the Cecchetti method. [1] The son of two dancers from Civitanova Marche, he was born in the costuming room of the Teatro Tordinona in Rome.
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Sandra Noll Hammond (born 21 December 1935) is a dancer, teacher, dance historian, and educator. Internationally recognized for her studies of the development of ballet technique and training from the eighteenth through the twentieth centuries, [1] she is the author of two books on ballet technique and of numerous published articles, lectures, and papers presented at dance workshops and ...
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