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John Allyn McAlpin Berryman (born John Allyn Smith, Jr.; October 25, 1914 – January 7, 1972) was an American poet and scholar.He was a major figure in American poetry in the second half of the 20th century and is considered a key figure in the "confessional" school of poetry.
"Live, Laugh, Love" is a motivational three-word phrase that became a popular slogan on motivational posters and home decor in the late 2000s and early 2010s. By extension, the saying has also become pejoratively associated with a style of " basic " Generation X [ 1 ] decor and with what Vice described as " speaking-to-the-manager shallowness ".
In addition to Causley's poetry dealing with issues of faith, folklore, memory, his wartime experience and its later impact, landscape, travel, friends and family, his poems for children were and remain very popular. He used to say that he could have lived comfortably on the fees paid for the reproduction of 'Timothy Winters':
Then on July 8, 1913 the board seemed to be possessed with unusual strength and supposed communications from Patience Worth began. "Many moons ago I lived. Again I come. Patience Worth my name. Wait, I would speak with thee. If thou shalt live, then so shall I. I make my bread at thy hearth. Good friends, let us be merrie. The time for work is ...
The poem was published in the October 1796 Monthly Magazine, [22] under the title Reflections on Entering into Active Life. A poem Which Affects Not to be Poetry. [23] Reflections was included in Coleridge's 28 October 1797 collection of poems and the anthologies that followed. [22] The themes of Reflections are similar to those of The Eolian Harp.
Stanley Burnshaw (June 20, 1906 – September 16, 2005) was an American poet, primarily known for his ontology The Seamless Web (1970). His style was particularly writing political poems , prose, editorials , etc. Aside from political poetry, Burnshaw is known for his works on social justice .
The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [ A ] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November ...
The poems were long, ragged lines, they had a much more conversational tone than the poems I'd been writing. Most importantly, the new poems, while having a much more narrative structure than the older ones, also had much more direct mechanisms for tracing thoughts, perceptions and emotions; they gave me a way to deal more inclusively and ...