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A setting of Pange lingua, written by Ciaran McLoughlin, appears on the Solas 1995 album Solas An Domhain. Pange lingua has been translated into many different languages for worship throughout the world. However, the Latin version remains the most popular. The Syriac translation of "Pange lingua" was used as part of the rite of benediction in ...
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Pange lingua may refer to either of two Mediaeval Latin hymns: "Pange lingua gloriosi proelium certaminis" by Venantius Fortunatus, a.D. 570, extolling the triumph of the Cross (the Passion of Jesus Christ) and thus used during Holy Week. [1] Fortunatus wrote it for a procession that brought a part of the true Cross to Queen Radegunda that year ...
Tantum ergo" is the incipit of the last two verses of Pange lingua, a Medieval Latin hymn composed by St Thomas Aquinas circa A.D. 1264. The "Genitori genitoque" and "Procedenti ab utroque" portions are adapted from Adam of Saint Victor's sequence for Pentecost. [1] The hymn's Latin incipit literally translates to "Therefore so great".
The Missa Pange lingua is a musical setting of the Ordinary of the Mass by Franco-Flemish composer Josquin des Prez, probably dating from around 1515, near the end of his life. Most likely his last mass, it is an extended fantasia on the Pange Lingua hymn, and is one of Josquin's most famous mass settings.
Pange lingua gloriosi proelium certaminis" (Latin for 'Sing, tongue, the battle of glorious combat') is a 6th-century AD Latin hymn generally credited to the Christian poet St. Venantius Fortunatus, Bishop of Poitiers, celebrating the Passion of Christ.
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A live performance of the Wöss' edition as Pange lingua by the Choir Rondo Histriae (September 2006) can be heard on YouTube: Bruckner's Pange lingua; Live performances of the original setting of the motet: Vocal ensemble of the University of Cologne (October 2015): Anton Bruckner: Tantum ergo – without the optional bars; Choral Vespers ...
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