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John Tenniel, St. Cecilia (1850) illustrating Dryden's ode, in the Parliament Poets' Hall "A Song for St. Cecilia's Day" (1687) is the first of two odes written by the English Poet Laureate John Dryden for the annual festival of Saint Cecilia's Day observed in London every 22 November from 1683 to 1703.
The song was performed by Sherwood in their album The Favourite Songs of Henry VIII. Laura Wright recorded a version, featured on her album The Last Rose (2011). George Eliot refers to this song in her novel The Mill on the Floss, Book 6, Chapter 13, as being sung by character Stephen Guest.
Couplets are the most common type of rhyme scheme in old school rap [9] and are still regularly used, [4] though complex rhyme schemes have progressively become more frequent. [10] [11] Rather than relying on end rhymes, rap rhyme schemes can have rhymes placed anywhere in the bars of music to create a structure. [12]
Hail! Bright Cecilia (Z.328), also known as Ode to St. Cecilia, was composed by Henry Purcell to a text by the Irishman Nicholas Brady in 1692 in honour of the feast day of Saint Cecilia, patron saint of musicians.
Composer Dan Welcher created a song cycle out of the poetry chapbook 'Matchbook' by Beth Gylys. [3] Edward Lear's poem "The Pelican Chorus" was adapted into the song "Pelicans We" by Cosmo Sheldrake. Johnny Cash's "Drink to Me Only with Thine Eyes," from Ben Jonson's poem "Song: To Celia."
Rondel (or roundel): a poem of 11 to 14 lines consisting of 2 rhymes and the repetition of the first 2 lines in the middle of the poem and at its end. Sonnet: a poem of 14 lines using any of a number of formal rhyme schemes; in English, they typically have 10 syllables per line. Caudate sonnet; Crown of sonnets (aka sonnet redoublé) Curtal sonnet
An early poetic form that uses the simple 4-line rhyme scheme is the pantoum. [1] A pantoum constist of a series of 4 line stanzas, using the simple 4-line rhyme scheme, in which the second and fourth lines from one stanza act as the first and third lines of the following stanza. Pantoums evolved from short Malaysian folk poems in the fifteenth ...
This rhyme scheme was extremely popular in French poetry. It was used by Victor Hugo and Charles Leconte de Lisle. In English it is called the tail-rhyme stanza. [2] Bob Dylan uses it in several songs, including the A-strains of You're Gonna Make Me Lonesome When You Go and the B-strains of Key West (Philosopher Pirate).