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Katsina tihu (Kokopol), probably late 19th century, Brooklyn Museum Hopi katsina figures or Hopi kachina dolls (also spelled Hopi katsina figures or Hopi katsina dolls; Hopi: tithu or katsintithu) are figures carved, typically from cottonwood root, by Hopi people to instruct young girls and new brides about kachinas or katsinam, the immortal beings that bring rain, control other aspects of the ...
David was drafted into the US Army in 1965 and served in Germany until 1968. When he returned home he began painting and carving full time. [4] David received national recognition when his paintings and Kachina doll carvings were given multiple page coverage in the Arizona Highways magazine of June 1971, a reference issue devoted entirely to the Kachinas, the Living Spirits of the Hopi. [5]
The kachina concept has three different aspects: the supernatural being, the kachina dancers, and kachina dolls (small dolls carved in the likeness of the kachina, that are given only to those who are, or will be responsible for the respectful care and well-being of the doll, such as a mother, wife, or sister).
Kachina images appeared in murals in kivas, pictographs and petroglyphs of Puebloan people by AD 1300. The Kachina religion was foundational for modern Zuni and Hopi people. [32] [33] Zuni and Hopi Kachina dolls are representations of spiritual beings. Hand carved kachina dolls are given to the young girls as gifts given by the Kachina dancers ...
This page was last edited on 7 June 2023, at 21:07 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply ...
A traditional Native American Hopi Kachina doll, probably late 19th century A Greenlandic Inuit doll. Hopi Kachina dolls are effigies made of cottonwood that embody the characteristics of the ceremonial Kachina, the masked spirits of the Hopi Native American tribe. Kachina dolls are objects meant to be treasured and studied in order to learn ...
In Hopi mythology, Angwusnasomtaka, also known as Tümas, is a kachina (a spirit represented by a masked doll). She is a wuya, one of the chief kachinas and is considered the mother of all the hú and all the kachinas. During the Powamu celebration, she leads the initiation rites for the uninitiated children into the Powamu and Kachina societies.
In 1977, she collaborated with the CAMH on an exhibition, arranged by Harithas, of her Kachina doll collection. [7] She made generous donations to the museum and underwrote a program of visiting artists at the University of Houston. [7] She funded the Lawndale Art Center and supported Project Row Houses. In September 1978, she and Jim married. [2]
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