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The distinction between neat and scruffy originated in the mid-1970s, by Roger Schank.Schank used the terms to characterize the difference between his work on natural language processing (which represented commonsense knowledge in the form of large amorphous semantic networks) from the work of John McCarthy, Allen Newell, Herbert A. Simon, Robert Kowalski and others whose work was based on ...
This evolution also illustrates a classic divide in AI research known as the "neats vs. scruffies". The "neats" were researchers who placed the most value on mathematical precision and formalism which could be achieved via First Order Logic and Set Theory. The "scruffies" were more interested in modeling knowledge in representations that were ...
Neats vs. scruffies, in the field of artificial intelligence, a school of thought that prefers empiricism to formalism Scruffy, a graphical library in Ruby programming language Walter H. Longton (1892–1927), English First World War flying ace and later air racer
Obviously, scruffies also use mathematically rigorous approaches, when employing provably correct algorithms, such as searching trees, or certain signal processing approaches. So far, the only valid "neats", are those doing GOFAI: they use a minimal model and deduce everything based on it, with no added assumptions or axioms along the way.
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Smiling Girl, a Courtesan, Holding an Obscene Image (1625) by Gerard van Honthorst. Smiling Girl, a Courtesan, Holding an Obscene Image, also known in Dutch as Een Laggende Vrouw met een naakte Pourtraitje in de Hand, waar onder divisje staat ("A laughing woman holding a small picture of a nude in her hand, under which is a motto") or Jonge vrouw met een medaillon ("Young Woman with a ...
Images of a Woman was painted over three nights in July 1966 in a Tokyo Hilton suite where all four of the Beatles (John Lennon, Paul McCartney, George Harrison and Ringo Starr) were staying as part of their tour of the Far East. The group had been placed in lockdown as a precaution by the Japanese authorities after death threats had been ...
Florence Owens Thompson (born Florence Leona Christie; September 1, 1903 – September 16, 1983) was an American woman who was the subject of Dorothea Lange's photograph Migrant Mother (1936), considered an iconic image of the Great Depression.