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Zhungdra (Dzongkha: གཞུང་སྒྲ་; Wylie: gzhung-sgra) [1] is one of two main styles of traditional Bhutanese folk music, the other being bödra.Arising in the 17th century, zhungdra (zhung meaning "center, mainstream", and dra meaning "music") is an entirely endemic Bhutanese style associated with the folk music of the central valleys of Paro, Thimphu, and Punakha, the heart of ...
Download QR code; Print/export Download as PDF; Printable version; ... Bhutanese folk music (2 P) M. Music organisations based in Bhutan (1 C) Bhutanese musicians (1 ...
Prior to this period, Bhutanese people primarily listened to filmi and other kinds of Indian pop music. Rigsar is the dominant style of Bhutanese popular music, and dates back to the late 1980s. The first major music star was Shera Lhendup, whose career began after the 1981 hit "Jyalam Jaylam Gi Ashi". [2]
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His original score was inspired by the Bhutanese folk tune "The Unchanging Lotus Throne" (Thri nyampa med pa pemai thri). The melody has twice undergone changes by Tongmi's successors as band leaders. The original lyrics were 12 lines, but were shortened to the present six-line version in 1964 by a secretary to the king. [3]
The dramyin or dranyen (Tibetan: སྒྲ་སྙན་, Wylie: sgra-snyan; Dzongkha: dramnyen; Chinese: 扎木聂; pinyin: zhamunie) [1] is a traditional Himalayan folk music lute with six strings, used primarily as an accompaniment to singing in the Drukpa Buddhist culture and society in Bhutan, as well as in Tibet, Ladakh, Sikkim and Himalayan West Bengal.
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Cradled in the folds of the Himalayas, Bhutan has relied on its geographical isolation to protect itself from outside cultural influences. A sparsely populated country bordered by India to the south, and China to the north, Bhutan has long maintained a policy of strict isolationism, both culturally and economically, with the goal of preserving its cultural heritage and independence.
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