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A wiigwaasabak (in Anishinaabe syllabics: ᐐᒀᓴᐸᒃ, plural: wiigwaasabakoon ᐐᒀᓴᐸᑰᓐ) is a birch bark scroll, on which the Ojibwa (Anishinaabe) people of North America wrote with a written language composed of complex geometrical patterns and shapes.
Fretwork is an interlaced decorative design that is either carved in low relief on a solid background, or cut out with a fretsaw, coping saw, jigsaw or scroll saw. Most fretwork patterns are geometric in design. The materials most commonly used are wood and metal. [1] Fretwork is used to adorn furniture and musical instruments.
Marquetry (also spelled as marqueterie; from the French marqueter, to variegate) is the art and craft of applying pieces of veneer to a structure to form decorative patterns or designs. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial ...
Coiled baskets are popular in the southwest and the Hopi and Apache in particular are known for pictorial coiled basketry plaques. The Tohono O'odham are well known for their basket-weaving prowess, and evidenced by the success of Annie Antone and Terrol Dew Johnson. Kumeyaay coiled basket, Celestine Lachapa of Inajo, late 19th century
A number of different types of wood are used in the creation of yosegi.Both the spindle tree (Euonymus spp.) and Ilex macropoda are used for the colour white; aged wood from the Katsura tree (Cercidiphyllum japonicum) is used for black; Picrasma quassioides, mulberry and the Chinese lacquer tree (Toxicodendron vernicifluum) are used for yellow; the camphor tree (Cinnamomum camphora) and ...
Continuous scroll decoration has a very long history, and such patterns were an essential element of classical and medieval decoration. The use of scrolls in ornament goes back to at least the Bronze Age; geometric scroll ornament has been found in the Palace of Knossos at Minoan Crete dating to approximately 1800 BC, [8] perhaps drawing from even earlier Egyptian styles; there were also early ...
This featured a scroll typeface with Roman numerals for the regnal number surmounted by the Tudor crown. The contract for wall boxes resided at this time with W.T. Allen & Co. Ltd. of London for the "B" and "E" size boxes and with Carron Co. of Falkirk Scotland for the "A" and "D" sizes and remained with them throughout this reign.
The total number of distinct Egyptian hieroglyphs increased over time from several hundred in the Middle Kingdom to several thousand during the Ptolemaic Kingdom.. In 1928/1929 Alan Gardiner published an overview of hieroglyphs, Gardiner's sign list, the basic modern standard.
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