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Bharata Bhagya Bidhata (Bengali: ভারত ভাগ্য বিধাতা, lit. 'Dispenser of India's destiny') is a five-stanza Brahmo hymn in Bengali. [1] It was composed and scored by Nobel laureate Rabindranath Tagore in 1913. The first stanza of the song has been adopted as the National Anthem of India. [2] [3] [4]
The poem was published in January 1912, under the title Bharat Bhagya Bidhata in the Tatwabodhini Patrika, which was the official publication of the Brahmo Samaj with Tagore then the Editor. [19] In 1917, the song was again performed at the Congress conference and this time in aid of instrumental music by the Mahraja Bahadur of Nattore. [20]
This is a list of available epics in the Kannada language (also called purana, in prose or poem), a South Indian language.Based on his research, the Kannada scholar L.S. Sheshagiri Rao claims that starting with the earliest available epic Adipurana by Pampa (939 C.E), Kannada writers have created a rich and active epic tradition.
The popularity of poetry is gauged in terms of the response that the educated and interested elite give. But the real popularity of poetry is when common people sing it. Popular appeal is not very easy to achieve for any form of poetry; especially when audiences are not kept in mind. Kannada poetry has a few instances of such mass popularity.
Kokkare Hosahalli Shekh Haider Nissar Ahmed (5 February 1936 – 3 May 2020 [1]) was an Indian poet and writer in the Kannada language. [2] [3] He was awarded the Padma Shri (2008), [4] the Rajyotsava Award (1981) and the Pampa award for his work (2017).
G. P. Rajarathnam (1909–1979), [2] known by his pen name as Bhramara (meaning:Bee), [3] was a Kannada author, lyricist and poet in Karnataka, India. [4] [5] [6] Rajarathnam was well known for composing poems for children. Nissar Ahmed, once quoted as "he understood the minds of children, and their need.
Kannada poetry dates back many centuries, to before the time of Adikavi Pampa. A revival took place in the early 20th century led by Kuvempu, Dattatreya Ramachandra Bendre, B. M. Srikanthaiah and others. The genre was further developed after Indian independence with poets including Gopalakrishna Adiga
Kannada prosody (Kannada: ಕನ್ನಡ ಛಂದಸ್ಸು, romanized: Kannada Chhandassu) is the study of metres used in Kannada poetry, describing the rhythmic structure of a verse. The metres used include some metres borrowed from other traditions, and indigenous metres.