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The Young Man with an Apple is an oil on poplar painting by the Italian High Renaissance painter Raphael, executed c. 1505. It is housed in the Uffizi Gallery in Florence.Most probably made for the della Rovere/Montefeltro family in Urbino, it is often thought to be the portrait of Francesco Maria I della Rovere, grandson of Federico da Montefeltro and future Duke of Urbino through an adoption ...
The painting consists of a man in an overcoat and a bowler hat standing in front of a low wall, beyond which are the sea and a cloudy sky. The man's face is largely obscured by a hovering green apple. However, the man's eyes can be seen peeking over the edge of the apple.
Portrait of a Young Man, unknown master, 80.5 × 63.5 cm, private collection Berlin. [citation needed] Portrait of a Young Man is a painting by Raphael. It is often thought to be a self-portrait. During the Second World War the painting was stolen by the Nazis from Poland. Many historians regard it as the most important painting missing since ...
Sonnet 79 argues that the other poet deserves no thanks, because the quality of his writing derives from the quality of his subject. The poet (line 2) claims that earlier he had exclusively had the young man's patronage, or that his verse had exclusively been devoted to the young man's virtue or honor.
Young Man with Apples, also called Boris with Apples, is an oil painting on canvas created in 1932 by Hungarian-born Indian artist Amrita Sher-Gil, when she was living in Paris. [ 1 ] The painting depicts Boris Taslitzky (1911–2005) preoccupied in deep thought.
The Vision of a Knight, also called The Dream of Scipio or Allegory, is a small egg tempera painting on poplar by the Italian Renaissance artist Raphael, finished in 1503–1504. [1] [2] It is in the National Gallery in London. It probably formed a pair with the Three Graces panel, also 17 cm square, now in the Château de Chantilly museum.
The identity of the young man has been a long-enduring mystery. Completed in approximately 1475, it is on display in the Uffizi Gallery of Florence. Central to the painting, seated before a landscape, is a young man with a medal between his hands. The man gazes out into the audience, while the medal displays the profiled likeness of Cosimo de ...
Referencing line 1, she notes that Fortune (personified) has actually abandoned the poor Speaker. This abandonment is the cause of the Speaker's desire for "this man's art, and that man's scope" (line 7) and has caused the Speaker to only be "contented" (line 8) which hints at the Speaker's (and possibly Shakespeare's) lack of artistic inspiration.