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Robert Rutledge (June 3, 1948 – October 15, 2001) was an American sound editor who won Best Sound Editing at the 1985 Academy Awards. He won for Back to the Future, which was shared with Charles L. Campbell. [1] At the 32nd British Academy Film Awards, he won a BAFTA Award for Best Soundtrack for the film Star Wars.
"Dunk Contest" is a single by American rapper Cash Cobain, released on January 29, 2024, as the lead single from his debut studio album, Play Cash Cobain. It was produced by Cobain himself and Gvrlnd!.
Year Film Winners/Nominees 1998 Best Sound Editing – Direct to Video – Sound Young Hercules: Mathew Waters (supervising sound editor); Tim Boggs (supervising ADR editor); Dorian Cheah, Lisle Engle, George Haddad, Michael Mullane, Kelly Vandever (sound effects editors); Tony Suraci (Foley editor); Louis Creveling, Jason George, Danielle Ghent, Robert Jackson (dialogue editors)
Timothy J. Borquez (supervising sound editor/re-recording mixer), Jeff Hutchins (supervising sound editor), Eric Freeman (sound editor/re-recording mixer), Roy Braverman (sound editor), Gabriel Rosas (dialogue editor), Monett Holderer (Foley artist), Andrea Lawson (mixer) Nickelodeon: Buzz Lightyear of Star Command "Enemy Without a Face"
On June 9, 2000, Liberty Media Group acquired the post production and sound business of Soundelux Entertainment Group for $90M cash, a deal to replace one agreed to in July 1999 for stock then valued at $200M.
The Primetime Emmy Award for Outstanding Sound Editing for a Limited or Anthology Series, Movie or Special is an annual award presented as part of the Creative Arts Emmy Awards. Prior to 1976 and between 1979 and 1983, limited series and movies competed for Outstanding Achievement in Film Sound Editing .
Today they're $89 at Walmart — but, I'm begging you, don't buy them. Instead, spend the extra $65 dollars on the AirPods Pro 2 : They look identical, but they present a world of difference.
Best Sound Editing - Sound Effects and Foley for Feature Film Spider-Man 3: Nominated I [14] [11] 20 February 2010 Best Sound Editing - Dialogue and ADR in a Feature Film The Hurt Locker: Nominated J [15] [16] Best Sound Editing - Best Sound Editing - Sound Effects and Foley in a Feature Film Nominated K: 2012: Nominated L: 15 February 2015