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The Maid of Orleans (opera) The Maid of Pskov; The Mandarin's Son; Mateo Falcone (opera) Mavra; May Night; Mazeppa (opera) The Merchant Kalashnikov; The miller who was a wizard, a cheat and a matchmaker; The Miserly Knight; Mlada; Mlada (Rimsky-Korsakov) Monna Vanna; Moscow, Cheryomushki; Mother (Khrennikov opera) Mozart and Salieri (opera) MR ...
Russian opera (Russian: Ру́сская о́пера Rússkaya ópera) is the art of opera in Russia.Operas by composers of Russian origin, written or staged outside of Russia, also belong to this category, as well as the operas of foreign composers written or intended for the Russian scene.
The Taming of the Shrew (Russian Ukroshchenye stroptivoy, Cyrillic Укрощение строптивой) is a 1957 opera in four acts, five scenes by Vissarion Shebalin to a libretto by the Soviet musicologist Abram Akimovich Gozenpud, based on the comedy by William Shakespeare. Gozenpud utilized very little of Shakespeare's original text in ...
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Russian classical music is a genre of classical music related to Russia's culture, people, or character.The 19th-century romantic period saw the largest development of this genre, with the emergence in particular of The Five, a group of composers associated with Mily Balakirev, and of the more German style of Pyotr Tchaikovsky.
Prince Igor (Russian: Князь Игорь, romanized: Knyaz Igor, listen ⓘ) is an opera in four acts with a prologue, written and composed by Alexander Borodin.The composer adapted the libretto from the early Russian epic The Lay of Igor's Host, which recounts the campaign of the 12th-century prince Igor Svyatoslavich against the invading Cuman ("Polovtsian") tribes in 1185. [1]
Boris Godunov (Russian: Борис Годунов, romanized: Borís Godunóv listen ⓘ) is an opera by Modest Mussorgsky (1839–1881). The work was composed between 1868 and 1873 in Saint Petersburg, Russia.
Judith (Russian: Юдифь, romanized: Yudíf – stress on second syllable) is an opera in five acts, composed by Alexander Serov during 1861–1863. Derived from renditions of the story of Judith from the Old Testament Apocrypha, the Russian libretto, though credited to the composer, has a complicated history.