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The music of another successful Russian opera Melnik – koldun, obmanshchik i svat (The Miller who was a Wizard, a Cheat and a Match-maker, text by Alexander Ablesimov, Moscow, 1779), on a subject resembling Rousseau’s Le Devin du village, is attributed to a theatre violin player and conductor Mikhail Matveyevich Sokolovsky (c. 1756
The Maid of Orleans (opera) The Maid of Pskov; The Mandarin's Son; Mateo Falcone (opera) Mavra; May Night; Mazeppa (opera) The Merchant Kalashnikov; The miller who was a wizard, a cheat and a matchmaker; The Miserly Knight; Mlada; Mlada (Rimsky-Korsakov) Monna Vanna; Moscow, Cheryomushki; Mother (Khrennikov opera) Mozart and Salieri (opera) MR ...
Russian classical music is a genre of classical music related to Russia's culture, people, or character.The 19th-century romantic period saw the largest development of this genre, with the emergence in particular of The Five, a group of composers associated with Mily Balakirev, and of the more German style of Pyotr Tchaikovsky.
Prince Igor (Russian: Князь Игорь, romanized: Knyaz Igor, listen ⓘ) is an opera in four acts with a prologue, written and composed by Alexander Borodin.The composer adapted the libretto from the early Russian epic The Lay of Igor's Host, which recounts the campaign of the 12th-century prince Igor Svyatoslavich against the invading Cuman ("Polovtsian") tribes in 1185. [1]
Boris Godunov (Russian: Борис Годунов, romanized: Borís Godunóv listen ⓘ) is an opera by Modest Mussorgsky (1839–1881). The work was composed between 1868 and 1873 in Saint Petersburg, Russia.
Ruslan and Lyudmila (Russian: Руслан и Людмила, romanized: Ruslán i Lyudmíla listen ⓘ) is an opera in five acts (eight tableaux) composed by Mikhail Glinka between 1837 and 1842. The libretto was written in Russian by Valerian Shirkov, with minor contributions by Mykola Markevych , Nestor Kukolnik , and the composer based on ...
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Judith (Russian: Юдифь, romanized: Yudíf – stress on second syllable) is an opera in five acts, composed by Alexander Serov during 1861–1863. Derived from renditions of the story of Judith from the Old Testament Apocrypha, the Russian libretto, though credited to the composer, has a complicated history.