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In stretched tuning, two notes an octave apart, whose fundamental frequencies theoretically have an exact 2:1 ratio, are tuned slightly farther apart (a stretched octave). If the frequency ratios of octaves are greater than a factor of 2, the tuning is stretched; if smaller than a factor of 2, it is compressed." [3]
A man tuning an upright piano. Piano tuning is the process of adjusting the tension of the strings of an acoustic piano so that the musical intervals between strings are in tune. The meaning of the term 'in tune', in the context of piano tuning, is not simply a particular fixed set of pitches. Fine piano tuning requires an assessment of the ...
Amiga operating systems from the 1986 version 1.2 onward allow the user to modify the keyboard layout by using the setmap command line utility with "usa2" as an argument, or later in 3.x systems by opening the keyboard input preference widget and selecting "Dvorak". Amiga systems versions 1.2 and 1.3 came with the Dvorak keymap on the Workbench ...
A typical 105-key computer keyboard, consisting of sections with different types of keys. A computer keyboard consists of alphanumeric or character keys for typing, modifier keys for altering the functions of other keys, [1] navigation keys for moving the text cursor on the screen, function keys and system command keys—such as Esc and Break—for special actions, and often a numeric keypad ...
For other tuning schemes, refer to musical tuning. This list of frequencies is for a theoretically ideal piano. On an actual piano, the ratio between semitones is slightly larger, especially at the high and low ends, where string stiffness causes inharmonicity , i.e., the tendency for the harmonic makeup of each note to run sharp .
English: Correctly labeled modifier keys for the ANSI Keyboard layout. This diagram includes denotations for the common form factors for 60%, 80%, and 100% sized keyboards. Key sizes are also correct, relative to each other, based on the 1x model.
Figure 2: Kaspar Wicki's isomorphic keyboard, invented in 1896. On an isomorphic keyboard, any given musical interval has the same shape wherever it appears, except at the edges. Here's an example. On the keyboard shown in figure 2, from any given note, the note that's a perfect fifth higher is always upward-and-rightward adjacent to the given ...
The Railsback curve shows how a piano tuned to compensate for inharmonicity deviates from theoretically correct equal-tempered tuning. The Railsback curve, first measured in the 1930s by O.L. Railsback, a US college physics teacher, expresses the difference between inharmonicity-aware stretched piano tuning, and theoretically correct equal-tempered tuning in which the frequencies of successive ...