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The images of the Buddha's feet are convex images which represent the actual soles of his feet, with all their characteristics. Following the traditional triple division of the cetiya , [ 8 ] we can assume that the first form of the image of the Buddha's feet – the concave one – is a sort of pāribhogika element, since it is indissolubly ...
The swastika was also a symbol of protection from evil. [75] The ancient swastika (which are also Chinese characters, mainly 卍 and 卐) is common in Buddhist art. It is widely used in East Asia to represent Buddhism, and Buddhist temples. Buddhist symbols like the swastika have also been used as a family emblem by Japanese clans. [76]
The Buddha is always represented with certain physical attributes, and in specified dress and specified poses. Each pose, and particularly the position and gestures of the Buddha's hands, has a defined meaning which is familiar to Buddhists. In other Buddhist countries, different but related iconography is used, for example the mudras in
In Thailand and Laos, this mudra is associated with the Walking Buddha, often shown having both hands making a double abhayamudra that is uniform. Statue of Vishnu, Berlin, left hand depicting the abhayamudra. The abhayamudra was probably used before the onset of Buddhism as a symbol of good intentions proposing friendship when approaching ...
According to Miranda Shaw in the Buddhist Goddesses of India, Sitātapatrā emerged from Buddha's uṣṇīṣa when he was in the Trāyastriṃśa heaven. [citation needed] The Buddha announced her role to "cut asunder completely all malignant demons, to cut asunder all the spells of others...to turn aside all enemies and dangers and hatred ...
The earliest surviving phase of Buddhist art was generally aniconic, with the Buddha being represented as symbols such as a footprint, an empty chair, a riderless horse, or an umbrella. [1] Later, iconic sculptural traditions were established, with two of the most important being in the regions of Gandhara and Mathura. [1]
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The Abhayamudra "gesture of fearlessness" [5] represents protection, peace, benevolence and the dispelling of fear. In Theravada Buddhism it is usually made while standing with the right arm bent and raised to shoulder height, the palm facing forward, the fingers closed, pointing upright and the left hand resting by the side.