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Weaving on a floor loom, using a beater that swings, suspended on a heavy wood frame. A reed is part of a weaving loom , and resembles a comb or a frame with many vertical slits. [ 1 ] It is used to separate and space the warp threads, to guide the shuttle 's motion across the loom, and to push the weft threads into place.
The most obvious is the moving reed, the frames which hold the heddles and the "pinch" or "sand" roll utilized to keep the cloth tight as it passes over the front of the machine and onto the doff roll. The most common injury in weaving is pinched fingers from distracted or bored workers, though this is not the only such injury found.
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In the terminology of weaving, each warp thread is called a warp end; a pick is a single weft thread that crosses the warp thread (synonymous terms are fill yarn and filling yarn). [ 2 ] [ 3 ] In the 18th century, the Industrial Revolution facilitated the industrialisation of the production of textile fabrics with the "picking stick" [ 4 ] and ...
The machinery used in fluid-jet weaving consists of a main nozzle, auxiliary nozzles or relay nozzles, and a profile reed. Air-jet looms are capable of producing standard household and apparel fabrics for items such as shirts, denim, sheets, towels, and sports apparel, as well as industrial products such as printed circuit board cloths. [2]
Woodcut print by Yanagawa Shigenobu, 1825–1832. A beater or batten, is a weaving tool designed to push the weft yarn securely into place. In small hand weaving such as Inkle weaving and tablet weaving the beater may be combined with the shuttle into a single tool. In rigid heddle looms the beater is combined with the heddles.
To use a temple, the length is first adjusted so that it matches the total width (or spread) of warp threads in the reed. The prongs are then inserted into the fabric, on each side, at the very edges of the cloth. The temple must be moved frequently to keep it close to the fell of the fabric, where the weaving is taking place. [2]