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Son jarocho ("Veracruz Sound") is a regional folk musical style of Mexican Son from Veracruz, a Mexican state along the Gulf of Mexico.It evolved over the last two and a half centuries along the coastal portions of southern Tamaulipas state and Veracruz state, hence the term jarocho, a colloquial term for people or things from the port city of Veracruz.
"Son Yucateco", the traditional son music of the region, was also probably an influence on the Cuban-born bolero, and there is a strong connection between the music of Yucatán, Mexico and the music of Cuba. Boleros and "música trova", a Cuban musical tradition, also have a very important place in música Yucateca.
Rolando Pérez served as cellist in the Cuban National Symphony Orchestra from 1969 to 1981, as well as between 1987 and 1992. [2] He has also participated in ensembles and recordings of concert and popular music such as: "Cuarteto de cuerdas" by Carlos Malcolm, [3] "El ropavejero" by Francisco Barrios, and "El Mastuerzo" together with the Mexican rock group Botellita de Jerez.
"La Bamba" has its origin in the state of Veracruz, Mexico. [8] The oldest recorded version known is that of Alvaro Hernández Ortiz, [9] who recorded the song with the name of "El Jarocho". His recording was released by Victor Records in Mexico in 1938 or 1939, and was reissued on a 1997 compilation by Yazoo Records, The Secret Museum of ...
Son music was reinforced by the area’s ties to the Caribbean, especially Cuba with Cuban son musicians coming to the port of Veracruz in the 1920s. Son jarocho gained popularity in the 1940s and 1950s not only in Veracruz but in Mexico City as well, in part due to the group Son de Cuba and its offshoots. [6]
The French colonist and writer, Lucien Biart, who lived in Mexico (1846 to 1867), wrote in 1862 that it was the people of the Mexican Highlands (the Temperate-Land) who called the vaqueros and cattle ranchers of Veracruz “Jarochos” for using spears or lances, called “jarochas” by them, for herding cattle:
Garrido, Juan S. Historia de la música popular en México. Mexico City: Editorial Extemporámeps 1094. Grandante, William. "Mexican Popular Music at Mid-century: The role of José Alfredo Jiménez and the Canción Ranchera," Studies in Latin American Popular Culture 2(1983): 99–114. Grial, Hugo de Geijertam. Popular Music in Mexico ...
As previously stated, the arpa jarocha was once commonly played while seated, similarly to its ancestor the Spanish harp from the 16th century. In modern times, since approximately the 1940s, the arpa jarocha has been built in a larger scale, following the general pattern of the Western Mexican harps from Jalisco and Michoacán.