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Vicente Blasco Ibáñez, in his 1916 novel The Four Horsemen of the Apocalypse (filmed in 1921 and 1962), provides an early example of this interpretation, writing, "The horseman on the white horse was clad in a showy and barbarous attire. . . . While his horse continued galloping, he was bending his bow in order to spread pestilence abroad.
Pages in category "Paintings based on the Book of Revelation" The following 17 pages are in this category, out of 17 total. ... Death on the Pale Horse; F. The Fall ...
The Cloisters Apocalypse, MS 68.174 is a French illuminated manuscript dated c. 1330, now in The Cloisters in New York. There are 40 folios, that is to say, 80 pages. [3] The page size is 12 1/8 × 9 1/16 in. (30.8 × 23 cm).
Other English artists took inspiration from West's work. One was Phillip James de Loutherbourg, who painted The Opening of the Second Seal (Tate Gallery, London), using the pale white horse in The Death of the Pale Horse as a clear model. [1] West's apocalyptic subjects also resemble William Blake's watercolors based on the Book of Revelation. [1]
The marriage between Jesus and his bride, who has prepared herself and clothed in white linen, occurs (Revelation 19:5–10). A "white horse, whose rider is called Faithful and True" is introduced. "With Justice he makes war" (Revelation 19:11). Jesus Christ is the rider mentioned in chapter twelve.
The woman's "male child" is a reference to Jesus (Revelation 12:5), since he is destined to "rule all nations with a rod of iron" (Revelation 12:5). The dragon trying to devour the woman's child at the moment of his birth (Revelation 12:4) is a reference to Herod the Great 's attempt to kill the infant Jesus (Matthew 2:16).
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The Apocalypse, properly Apocalypse with Pictures (Latin: Apocalipsis cum figuris; German: Die heimliche Offenbaru[n]g ioh[an]nis), [1] is a 1498 printed book by Albrecht Dürer containing fifteen woodcuts accompanied by text. The book depicts scenes from the Book of Revelation, and rapidly brought Dürer fame across Europe. [2]
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