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JA began painting graffiti in New York as a teenager, [2] and by 1985 was known for his work on the city's trains. [3] JA One took on his tag in 1986. [4] In response to the MTA's clamp down on train graffiti, initiated under the leadership of David L. Gunn, [5] JA One spearheaded the movement to take graffiti bombing onto the streets. [6]
Readers have their say about 'American Graffiti' at 50, 'Rich Men of North of Richmond' and the decline of civility in modern society. Calendar Feedback: A grand 'Graffiti' recap and why 'Rich Men ...
The colorful graffiti that adorns an abandoned skyscraper in downtown L.A. is, depending on who you ask, petty vandalism that plagues the city or vibrant street art that enriches.
The Faith of Graffiti is a 1974 essay by American novelist and journalist Norman Mailer about New York City's graffiti artists. Mailer's essay appeared in a shorter form in Esquire and as a book with 81 photographs by Jon Naar and design by Mervyn Kurlansky.
A heavily tagged subway car in New York City in 1973. By the mid-1970s, most standards had been set in graffiti writing and culture. The heaviest "bombing" in U.S. history took place in this period, partially because of the economic restraints on New York City, which limited its ability to combat this art form with graffiti removal programs or transit maintenance.
These people may consider a writer who uses legal walls to be a toy (inexperienced or uncultured writer). [10] Some writers believe that legal walls defeats the purpose of graffiti, as a rebellious act [3] to reclaim public space. [1] Writers interested in acquiring graffiti "fame" are often uninterested in legal walls. [3]
Spraycan Art is the first book that documented the initial stages of the worldwide spread of New York City Subway graffiti style and subculture. Authored by Henry Chalfant and James Prigoff and published by Thames & Hudson on September 1, 1987.
The book was known as 'the bible' of graffiti, because the photographs of this ephemeral art were accompanied by text describing techniques of the drawing styles and how it was done on public property without permission. [3] The book described the culture around graffiti, how to do it, the lingo and who did it.