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480i is the video mode used for standard-definition digital video [1] in the Caribbean, Japan, South Korea, Taiwan, Philippines, Myanmar, Western Sahara, and most of the Americas (with the exception of Argentina, Paraguay, and Uruguay).
Colour co-site sampling is a system of photographic colour sensing, wherein 4, 16 or 36 images are collected from the sensor and merged to form a single image. Each subsequent image physically moves the sensor by exactly one pixel, in order to collect R, G and B data for each pixel, known as microscanning .
In 4:2:0, the horizontal sampling is doubled compared to 4:1:1, but as the Cb and Cr channels are only sampled on each alternate line in this scheme, the vertical resolution is halved. The data rate is thus the same. This fits reasonably well with the PAL color encoding system, since this has only half the vertical chrominance resolution of NTSC.
A sampling of 4:4:4 indicates that all three components are fully sampled. A sampling of 4:2:0, for example, indicated that the two chroma components are sampled at half the horizontal sample rate of luma - the horizontal chroma resolution is halved. This reduces the bandwidth of an uncompressed video signal by one-third.
The protocol builds upon the 4:2:2 digital video encoding parameters defined in ITU-R Recommendation BT.601, which provides interlaced video data, streaming each field separately, and uses the YCbCr color space and a 13.5 MHz sampling frequency for pixels.
XAVC can use level 5.2 of H.264/MPEG-4 AVC, which when XAVC was introduced was the highest level supported by H.264 and which they now call XAVC S 4K/XAVC S HD.In addition their XAVC HS 4K or 8K versions can use MPEG-H HEVC/H.265 codec with 10-bit color sampling.
Various sensors and sampling devices could be ported through the liner where they were pressed against the borehole). Mr. Carl Keller acquired the manufacturing rights to the system in 1995 and developed a version that could be deployed below the water table for depth-discrete groundwater monitoring.
Test cards typically contain a set of patterns to enable television cameras and receivers to be adjusted to show the picture correctly (see SMPTE color bars).Most modern test cards include a set of calibrated color bars which will produce a characteristic pattern of "dot landings" on a vectorscope, allowing chroma and tint to be precisely adjusted between generations of videotape or network feeds.