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The hymn was originally written as a Baptist hymn and it is also used by the Salvation Army. [4] The lyrics are based on the Biblical verse in Hosea 6:3. [5] Then we shall know, If we follow on to know the LORD: his going forth is prepared as the morning, and he shall come unto us as the rain, as the latter and former rain unto the earth
The re-recording of "Follow Me (Zoey 101)" is an electropop and pop song. [ 5 ] [ 11 ] According to Heran Mamo of Billboard , the re-recorded "Follow Me (Zoey 101)" had the original theme songs "nostalgic piano keys" and stated it "reassures Spears will always be our girl."
"Follow Me", which is co-produced by Nero, [2] [3] contains influences from dubstep, like the early promotional, "The 2nd Law: Unsustainable". [4] [5] [6] The song also shares instrumental elements from Muse's previous two studio albums, Black Holes and Revelations and concept album The Resistance, [7] both of which were electronically inspired, like The 2nd Law.
The song was first recorded as "Don't Tear My Clothes" in January 1935 by the State Street Boys, a group that included Big Bill Broonzy and Jazz Gillum. [2] The next few years saw several more versions, including "Don't Tear My Clothes" by Washboard Sam in June 1936, [3] "Baby Don't You Tear My Clothes" by the Harlem Hamfats in May 1937, [4] "Let Your Linen Hang Low" by Rosetta Howard with the ...
"Come Follow Me (To the Redwood Tree)" is an English language nursery rhyme and a popular children's song. It can be an "ask a question" nursery song. It can be an "ask a question" nursery song. Asking where shall thee follow.
The piece, initially called "Hit Me Baby," was written by Swedish music producer and songwriter Max Martin for TLC, the three-woman American R&B group. ... Baby One More Time' is a song about ...
The lyrics of the song were written by Lear herself, who contributed words to every track on Sweet Revenge, and the music was composed by Anthony Monn, her long-time producer and collaborator. Musically, "Follow Me" showcased a mainstream disco sound, which in the second half of the 1970s was at the peak of its popularity, however, with ...
The song's origins are uncertain; however, its nearest known relative is the English folk song "The Twelve Apostles." [2] Both songs are listed in the Roud Folk Song Index as #133. Parallel features in the two songs' cumulative structure and lyrics (cumulating to 12 loosely biblical references) make this connection apparent.