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Corinth is believed to have painted the Self-Portrait with Skeleton in response to the Self-Portrait with Death Playing the Fiddle (1872), by the Swiss painter Arnold Böcklin, who was widely admired back then in Germany. Böcklin depicted the skeleton in his work as a live figure, he plays the violin while the artist listens to it.
The painting Self-Portrait with Charlotte Berend and Champagne Goblet can be classified in many ways in Lovis Corinth's oeuvre, whereby its function as a double portrait and at the same time as a self-portrait and portrait of Charlotte Berend, later Charlotte Berend-Corinth, stands in the foreground. Corinth created numerous self-portraits ...
Self-Portrait with Skeleton; Susanna in the Bath (Corinth) Y. Young Woman with Cats This page was last edited on 28 November 2023, at 00:43 (UTC). ...
Lovis Corinth (21 July 1858 – 17 July 1925) was a German artist and writer whose mature work as a painter and printmaker realized a synthesis of impressionism and expressionism. Corinth studied in Paris and Munich, joined the Berlin Secession group, later succeeding Max Liebermann as the group's president. His early work was naturalistic in ...
The painting represents fellow painter Lovis Corinth, depicted in the seated position. Corinth's body and head are seen in profile and his head is turned slightly, looking at the viewer over his left shoulder. Liebermann usually painted his models as seen from the front, with the current side portrait being an exception. [4]
Young Woman with Cats is an oil on canvas painting by the German painter Lovis Corinth, from 1904. The person portrayed is Corinth's wife, Charlotte Berend, who was 24 years old at the time. The painter's signature can be found in the upper right corner of the canvas. It is held now in the Staatsgalerie Stuttgart. [1]
Matthias Grünewald, inner right wing of the Isenheim Altarpiece depicting the Temptation of St. Anthony, 1512-1516 (oil on panel). The Temptation of Saint Anthony is an often-repeated subject in the history of art and literature, concerning the supernatural temptation reportedly faced by Saint Anthony the Great during his sojourn in the Egyptian desert.
On the wall opposite is the painting The Fifth Minnesota at Corinth by Edwin H. Blashfield which was placed in 1912. Blashfield's painting focuses the eye on a Confederate officer, standing unarmed against the regiment's charge which was a conviction at the time that bravery could be found on both sides of the conflict. [6]