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Corinth is believed to have painted the Self-Portrait with Skeleton in response to the Self-Portrait with Death Playing the Fiddle (1872), by the Swiss painter Arnold Böcklin, who was widely admired back then in Germany. Böcklin depicted the skeleton in his work as a live figure, he plays the violin while the artist listens to it.
The painting Self-Portrait with Charlotte Berend and Champagne Goblet can be classified in many ways in Lovis Corinth's oeuvre, whereby its function as a double portrait and at the same time as a self-portrait and portrait of Charlotte Berend, later Charlotte Berend-Corinth, stands in the foreground. Corinth created numerous self-portraits ...
Lovis Corinth (21 July 1858 – 17 July 1925) was a German artist and writer whose mature work as a painter and printmaker realized a synthesis of impressionism and expressionism. Corinth studied in Paris and Munich, joined the Berlin Secession group, later succeeding Max Liebermann as the group's president. His early work was naturalistic in ...
Self-Portrait with Skeleton; Susanna in the Bath (Corinth) Y. Young Woman with Cats This page was last edited on 28 November 2023, at 00:43 (UTC). ...
Edward Burne-Jones (illustrations) and William Morris (type design and decoration) – The Works of Geoffrey Chaucer, now newly imprinted (Kelmscott Press edition) Lovis Corinth – Self-portrait with skeleton; Edgar Degas – Bathers (completed) [1] Paul Dubois – Baptism of Clovis (sculpture in front of Reims Cathedral) Thomas Eakins – The ...
As Russian troops approached Dniprorudne in their February 2022 invasion of Ukraine, the city's long-term mayor Yevhen Matvieiev could have fled to safety. Instead, he stayed behind to coordinate ...
Police in Juneau County, Wis., say they’ve arrested a man wanted in connection with the deaths of a woman and two girls at a home in New Lisbon last month.
The painting represents fellow painter Lovis Corinth, depicted in the seated position. Corinth's body and head are seen in profile and his head is turned slightly, looking at the viewer over his left shoulder. Liebermann usually painted his models as seen from the front, with the current side portrait being an exception. [4]