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Early vitrines were often constructed of darker woods, such as mahogany, rosewood, or walnut. [2] Vitrines from southern Europe often featured extensive use of gilt bronze or ormolu mounts for ornamentation around the cartouches, edges, handles, key escutcheons, window panes, and other decorative elements, while vitrines from northern Europe often used less gilding and put more emphasis on the ...
But the intricate ornamentation of post-Restoration furniture was abandoned in favor of more conservative designs, possibly under the influence of the simple and elegant lines of imported Chinese furniture. [13] When decorative motifs or other ornamentation are used in Queen Anne-style furniture, it is often limited to carved scallop or shell ...
Early in 2023, a 33-year-old home-design content creator named Justin Miller bought an old chair on Facebook Marketplace for $50. In June, he sold it for 1,700 times that amount -- $85,000 plus...
Other decorative arts such as architecture, ceramics, silver, and textiles could also feature elements of the William and Mary style. The design movement had an extremely positive impact on the craftsmanship and quality of British furniture. [7] The William and Mary style was a transitional style between Mannerist and Queen Anne furniture. [4]
This furniture is usually decorated with basketry motifs, ivory inlays, hippopotamus and elephant ivories, and it was finely carved in the shape of bull legs. The base of each leg, terminated in a ribbed cylinder design to protect the foot of the support. Furniture legs were finished with the pedestal feet.
It featured Roman and Greek motifs. The later furniture featured decorative elements of Chinoiserie and other exotic styles. [1] Louis XV furniture was designed not for the vast palace state rooms of the Versailles of Louis XIV, but for the smaller, more intimate salons created by Louis XV and by his mistresses, Madame de Pompadour and Madame ...
They had great success first in Paris, then at the Exposition of the Munich Secession in 1897 and at the Turin International Exposition of Decorative Arts in 1902. The furniture of Gaillard was highly ornate, recalling the French Rococo, while the forms of de Feure, who was a painter and graphic artist, were more subtle, which the Art Nouveau ...
As an early-19th-century design movement in the United States, it encompassed architecture, furniture and other decorative arts, as well as the visual arts. In American furniture, the Empire style was most notably exemplified by the work of New York cabinetmakers Duncan Phyfe and Paris-trained Charles-Honoré Lannuier.