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repeated meaningless sounds such as 'bababa' in the middle of words bailaor, bailaora flamenco dancer (male, female), as opposed to 'bailarin', which is any other dancer. baile flamenco dance; other (non-flamenco) types are referred to as 'danza' baile de mantón a dance with a shawl balanceo y vaivén swaying of the body and hips.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
Flamenco (Spanish pronunciation: [flaˈmeŋko]) is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia.
The livelier speeds are chosen for dancing, while quieter rhythms are preferred for the song alone. One of the structurally strictest forms of flamenco, a traditional dance in alegrías must contain each of the following sections: a salida (entrance), paseo (walkaround), silencio (similar to an adagio in ballet), castellana (upbeat section ...
Tresillo is a Spanish word meaning "triplet"—three equal notes within the same time span normally occupied by two notes. In its formal usage, [further explanation needed] tresillo refers to a subdivision of the beat that does not normally occur within the given structure. Therefore, it is indicated by the number 3 between the halves of a ...
El Olé, the Spanish national dance," with image of Pepita de Oliva. Sheet music, 1850s. In flamenco music and dance, shouts of "olé" often accompany the dancer during the performance as encouragement or praise, and at the end of the performance. A singer in cante jondo may also emphasize the word "olé" with melismatic turns. [2] [12]
The livianas palo comprises only two songs, and the serrana and tona liviana only one song. All these palos follow a 12-beat pattern, with a different distribution of strong beats . However, we could also argue that it is the same rhythm as soléa, starting in a different beat: