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Frida Kahlo Museum, Coyoacán, Mexico [13] 1951 Portrait of My Father: Retrato de mi padre: Oil on masonite, 60.5 x 46.5 cm Frida Kahlo Museum, Coyoacán, Mexico 1951 Self-Portrait with the Portrait of Doctor Farill: Autorretrato con el retrato del Dr. Farill: Oil on masonite, 41.5 x 50 cm Galería Arvil, Mexico City, Mexico 1951
Frida Kahlo was a Mexican painter active between 1925 and 1954. She began painting while bedridden due to a bus accident that left her seriously injured. Most of her work consists of self-portraits, which deal directly with her struggle with medical issues, infertility, and her troubeparate Frida on which to project her anguish and pain. [2]
Diego and I (Spanish: Diego y yo) is a 1949 oil painting by the Mexican artist Frida Kahlo (1907-1954).. In November 2021, it sold at auction in Sotheby's New York for US$34.9 million, a record for a Kahlo work, and for a work by a Latin American artist. [1]
A Frida Kahlo self-portrait that shows the artist with the face of her husband, Diego Rivera, in the middle of her forehead, sold at Sotheby's in New York on Tuesday for $34.9 million, an auction ...
Mexican artist Frida Kahlo was one of the most influential painters of the 20th century. In 1938, she had her first solo art exhibition at the Julian Levy Gallery in New York, famous for showing ...
Two Nudes in a Forest is an oil painting by Mexican painter Frida Kahlo that was completed in 1939. It is also referred to as The Earth , Two Nudes in the Wood , or My Nurse and I . [ 1 ] The painting was given to a close woman companion of Kahlo's, [ 2 ] who some believe to be actress Dolores del Río .
The Frame (El marco in Spanish) is a 1938 self-portrait by Frida Kahlo. [1] The painting features Kahlo's self-portrait in oil on a sheet of aluminum framed in glass which she purchased from a market in Oaxaca, Mexico. [2]
Like many artists, Frida Kahlo has achieved cult-like fans since her untimely death at the age of 47. Her artwork, in addition to her trademark unibrow have become iconic images that are ...
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