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Cut and cloth, whether two- or three-piece, single- or double-breasted, vary, in addition to various accessories. A two-piece suit has a jacket and trousers; a three-piece suit adds a waistcoat. [1] Hats were almost always worn outdoors (and sometimes indoors) with all men's clothes until the counterculture of the 1960s in Western culture.
The trailing skirts which were very tight showing skin and broad-brimmed hats of mid-decade narrower dresses and hats with deep crowns. Men wear top hats with formal morning dress or bowlers with lounge suits. Fashion in the period 1900–1909 in the Western world continued the severe, long and elegant lines of the late 1890s.
The three-suit wardrobe isn’t simply for the sake of style, though that is of course a major consideration. More suits mean more versatility and more options for self-expression.
A man's suit – summer, 1911; Formal daywear includes wing-collared shirt, three-piece suit with wide lapels and pressed trousers, Germany, 1912; Portrait of Ludwik Żeleński wearing a three-piece suit with characteristic collarless vest or waistcoat. His shirt has a tall, stuff collar. Poland, 1912; Advertisement for men's sack suits, United ...
Three-piece suits consisting of a high-buttoned sack coat with matching waistcoat and trousers, called ditto suits or (UK) lounge suits, grew in popularity; the sack coat might be cutaway so that only the top button could be fastened. The cutaway morning coat was still worn for informal day occasions in Europe and major cities elsewhere.
With Christian Dior's New Look for women, came the Bold Look and Continental Cut for men. [3] The Bold Look was the continuation of the English drape cut with greater emphasis on the coordination of the suit with its accessories and shirt. It continued to have broad shoulders with a slightly nipped in waist and a double-breasted suit jacket. [3]
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