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Illicit is a 1931 American pre-Code drama film directed by Archie Mayo and starring Barbara Stanwyck, James Rennie, Ricardo Cortez, and Natalie Moorhead. Based on a play by Edith Fitzgerald and Robert Riskin, the film is about a young couple living together out of wedlock because the woman does not believe in marriage. When they finally get ...
Illicit drug trade. Illicit drug use; Illicit Drug Anti-Proliferation Act; Illicit financial flows; Illicit major; Illicit minor; Illicit trade; Illicit work; Illicit Streetwear clothing company; Illicit (Dance music group) Illicit, a film starring Barbara Stanwyck; Illicit (2017 film), an American thriller film; Illicit, a 1992 album by Tribal ...
Stanwyck on the cover of the September 1931 Photoplay magazine Stanwyck in Stella Dallas (1937) Barbara Stanwyck in Ball of Fire (1941) Lobby poster of Fred MacMurray, Stanwyck, and Edward G. Robinson in Double Indemnity (1944) James Mason, Ava Gardner, and Stanwyck in East Side, West Side advertisement in Modern Screen magazine (1949)
The Night Walker is a 1964 American psychological horror film [1] [2] directed and produced by William Castle, written by Robert Bloch, and starring Robert Taylor, Judith Meredith, Lloyd Bochner and Barbara Stanwyck in her final theatrical film role. It follows the wife of a wealthy inventor who is plagued by increasingly disturbing nightmares ...
Barbara Stanwyck (/ ˈ s t æ n w ɪ k /; born Ruby Catherine Stevens; July 16, 1907 – January 20, 1990) was an American actress and dancer. A stage, film, and television star, during her 60-year professional career, she was known for her strong, realistic screen presence and versatility.
Illicit: Archie Mayo: Barbara Stanwyck, James Rennie, Ricardo Cortez: ... Barbara Stanwyck, Joan Blondell, Ben Lyon: ... 1931 films at the Internet Movie Database
The film stars Barbara Stanwyck and Burt Lancaster. It follows a bedridden woman who overhears the plot of murder while on the telephone. By phone, she attempts to contact switchboard operators, police, or others who might help her prevent the crime. Stanwyck was nominated for the Academy Award for Best Actress.
As for Miss Stanwyck's transition from the nice, sassy gal in the press room to a maniacal stalker, we don't believe it. Come off it, Miss Stanwyck." [2] In a review for the Los Angeles Times, critic Philip K. Scheuer wrote: "The woman's character is so completely amoral—as is the tone of the whole picture—that I never found it quite ...
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