Search results
Results from the WOW.Com Content Network
Tempo rubato (Italian for 'stolen time'; UK: / ˈ t ɛ m p oʊ r ʊ ˈ b ɑː t oʊ /, US: / r uː-/, [1] [2] Italian: [ˈtɛmpo ruˈbaːto];) is a musical term referring to expressive and rhythmic freedom by a slight speeding up and then slowing down of the tempo of a piece at the discretion of the soloist or the conductor.
Many musical terms are in Italian because, in Europe, the vast majority of the most important early composers from the Renaissance to the Baroque period were Italian. [citation needed] That period is when numerous musical indications were used extensively for the first time. [1]
Symbol at the very end of a staff of music which indicates the pitch for the first note of the next line as a warning of what is to come. The custos was commonly used in handwritten Renaissance and typeset Baroque music. cut time Same as the meter 2 2: two half-note (minim) beats per measure. Notated and executed like common time (4
Most of the technical vocabulary of classical music (such as concerto, allegro, tempo, aria, opera, and soprano) is borrowed from Italian, [13] and that of ballet from French. [14] Much of the terminology of the sport of fencing also comes from French. Many loanwords come from prepared food, drink, fruits, vegetables, seafood and more from ...
Mass – Sacred musical composition of the Eucharistic liturgy. Missa brevis – Short mass composition, where part of the text of the Mass ordinary is left out, or its execution time is relatively short. Missa solemnis – Solemn mass composition, often elaborate and extended. Requiem – Mass for the dead set to music.
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or tempi from the Italian plural), measured in beats per minute, is the speed or pace of a given composition, and is often also an indication of the composition's character or atmosphere.
In music, a tuplet (also irrational rhythm or groupings, artificial division or groupings, abnormal divisions, irregular rhythm, gruppetto, extra-metric groupings, or, rarely, contrametric rhythm) is "any rhythm that involves dividing the beat into a different number of equal subdivisions from that usually permitted by the time-signature (e.g., triplets, duplets, etc.)" [1] This is indicated ...
According to Grove Music, the "Offbeat is [often] where the downbeat is replaced by a rest or is tied over from the preceding bar". [9] The downbeat can never be the off-beat because it is the strongest beat in 4 4 time. [10] Certain genres tend to emphasize the off-beat, where this is a defining characteristic of rock'n'roll and ska music.