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"Stay" is the second single by American rock band SafetySuit, off of their debut studio album Life Left to Go. It has peaked at #44 on the Billboard Heatseekers Songs, [ 2 ] #92 on the Pop 100 chart, and #17 on the Hot Adult Top 40 Tracks chart.
Life Left to Go received highly favorable reviews from critics. Tom Spinelli of Melodic.net, who gave the album 4.5 stars out of 5, declared that "if you are looking for the modern rock album of the year, this may be a top contender in your collection", [6] as "SatefySuit releases their masterful, epic debut Life Left To Go with enormous melodic power". [6]
These Times is the second studio album by American rock band SafetySuit, released on January 10, 2012, through Universal Republic Records. The album follows their 2008 debut Life Left to Go . It was released exclusively through iTunes on January 3, 2012, before a wide release the following week. [ 2 ]
Firefighters and Dallas County Sheriff’s Office traffic deputies worked to rescue a driver in a truck that was hanging off a bridge after crashing on northbound Interstate 35 near Victory Avenue ...
SafetySuit is an American rock band from Tulsa, Oklahoma, currently based in Nashville, Tennessee. Their 2008 major label debut album Life Left to Go featured songs " Stay " and " Someone Like You ", the former first achieving fame by climbing to No. 1 on the VH1 Top 20 Video Countdown .
In 1984, P.D.Q. Bach (a.k.a. Peter Schickele) lampooned the song in his opera The Abduction of Figaro in the aria "Stay with Me". [28] Lyrics from the song were interpolated on reggae artist Buju Banton's song "Hush Baby Hush" on his 1995 album 'Til Shiloh. Australian group Human Nature included their version of the song on the 2014 album Jukebox.
The DART light rail system, operated by Dallas Area Rapid Transit, serves portions of the Dallas–Fort Worth metroplex, Texas, United States. The network consists of sixty-five stations on four lines: Blue Line, Green Line, Orange Line and Red Line.
"Paint Work" (often written as "Paintwork") is a 1985 song by the English Post-punk band The Fall that first appeared on their album This Nation's Saving Grace. Widely considered the high-point of the album, the track was described in 2019 as "absolutely sublime" by Vulture , [ 2 ] [ 3 ] and as "mildly psychedelic " in 2011 by critic Mick Middles.