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  2. List of guitar tunings - Wikipedia

    en.wikipedia.org/wiki/List_of_guitar_tunings

    Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D). Baroque guitar standard tuning – a–D–g–b–e

  3. Guitar tunings - Wikipedia

    en.wikipedia.org/wiki/Guitar_tunings

    To build chords, Fripp uses "perfect intervals in fourths, fifths and octaves", so avoiding minor thirds and especially major thirds, [64] which are slightly sharp in equal temperament tuning (in comparison to thirds in just intonation). It is a challenge to adapt conventional guitar-chords to new standard tuning, which is based on all-fifths ...

  4. Strange to Explain - Wikipedia

    en.wikipedia.org/wiki/Strange_To_Explain

    Strange to Explain is the eleventh studio album by American folk rock band Woods. It was released on May 22, 2020, under Woodsist. [11] ...

  5. Chris Woods (guitarist) - Wikipedia

    en.wikipedia.org/wiki/Chris_Woods_(guitarist)

    Woods’ playing is characterised by the use of contemporary and extended guitar techniques, including; alternative tunings, tapping and guitar percussion. [4] His technique was developed whilst experimenting at university with solo Jazz guitar playing [5] as well as taking influence from artists such as John Martyn. [6]

  6. Seven-string guitar - Wikipedia

    en.wikipedia.org/wiki/Seven-string_guitar

    "The Guitar Player" by V.A. Tropinin (1823) The Russian guitar or gypsy guitar is a seven-string acoustic guitar tuned to the open G tuning (DGBDGBD), [5] which arrived or was developed early in the 19th century in Russia, possibly as a development of the cittern, the kobza and the torban.

  7. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...

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