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Alexandra Natasha von Fürstenberg (née Miller; born October 3, 1972) is a Hong Kong-born [1] American heiress, socialite, entrepreneur and furniture designer based in Los Angeles. [2] She is the youngest daughter of American billionaire and DFS Group co-founder Robert Warren Miller .
Melissa Miller, Flood, oil on linen, 59" × 95", 1983.Collection of The Museum of Fine Arts, Houston. Melissa Miller (born 1951) is an American painter who is best known for what Art in America called "raucous allegorical paintings" [1] of animals that balance storytelling, psychological insight and behavioral observation with technical virtuosity and formal rigor.
The travelling exhibition received national media coverage and deepened a discussion on Modern art and architecture in the United States. [4] [5] Apart from Painting toward architecture, there were other Miller Company art shows at Wesleyan University (1945), Cornell University (1951), Smith College (1951–1952), and Trinity College in ...
Liz Miller lives in Good Thunder, Minnesota. [4] She has a Bachelor of Fine Arts degree from the Rhode Island School of Design and a Master of Fine Arts from the University of Minnesota.As of March 2019 she is Professor of Installation and Drawing at Minnesota State University, Mankato. [5]
Salon Natasha was Vietnam’s first private contemporary art space established in 1990 by the late artist Vũ Dân Tân (1946–2009) and his Russian wife Natalia (Natasha) Kraevskaia. [1] Situated in their home and Vu Dan Tan’s studio at 30 Hang Bong , Hanoi , it functioned outside of the legal framework and was free from any official ...
The Miller ICA supports art experimentation that expands the notions of art and culture, providing a forum for engaged conversations about creativity and innovation. The gallery produces exhibitions, projects, events, and publications with a focus on social issues, and has been supported by the Carnegie Mellon College of Fine Arts .
Miller's paintings typically combine multiple media, such as oil paint, acrylic paint, pencil, and dirt. [1] Her work utilizes bright colors, bold forms and textures, and tentative and improvised sketchy lines. [5] [6] [10] Her practice is often guided by uncertainty and unexpectedness that allows her to "build" each painting with layers of ...
The art historian M. Sue Kendall says: "In their classical poses and formalized compositions, Miller’s shoppers become ovoid and columnar forms in cloche hats and chokers, a study of geometricized volumes in space trying to inhabit a single shallow picture plane."