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Psychological thriller [70] You'll Like My Mother: Lamont Johnson: Patty Duke, Rosemary Murphy, Richard Thomas: United States [71] 1973: Charley Varrick: Don Siegel: Walter Matthau, Joe Don Baker, Felicia Farr: United States: Action thriller, crime thriller [72] The Crazies: George A. Romero: Edith Bell, Lane Carroll, Will Disney: United States ...
The Honeymoon Killers: Leonard Kastle: Shirley Stoler, Tony Lo Bianco, Dortha Duckworth: United States [9] Investigation of a Citizen Above Suspicion: Elio Petri: Gian Maria Volonté, Florinda Bolkan, Salvo Randone: Italy: Crime drama [10] Kaidan Noboriryu: Teruo Ishii: Toru Abe, Yoshi Katō, Makoto Satō: Japan [11] Last Leap: Édouard Luntz
Pages in category "1970s serial killer films" The following 64 pages are in this category, out of 64 total. This list may not reflect recent changes. 0–9.
It’s safe to say that the ’70s was one of the greatest decades in cinema history. Apart from introducing us to the notorious Michael Corleone from The Godfather, the film industry ushered in a ...
It’s safe to say that the ’70s was one of the greatest decades in cinema history. Apart from introducing the notorious Michael Corleone from The Godfather, the film industry ushered in a new ...
Painkiller is an American drama television miniseries created by Micah Fitzerman-Blue and Noah Harpster. [4] Based on Patrick Radden Keefe's New Yorker article "The Family That Built an Empire of Pain" and Pain Killer: An Empire of Deceit and the Origin of America's Opioid Epidemic by Barry Meier, [5] the series focuses on the birth of the opioid crisis, with an emphasis on Purdue Pharma, the ...
The saga of American movies in the 1970s is now a mythology. In the first half of the decade, the movies that emerged from the New Hollywood were unprecedented in their realism, their immersion in ...
Although it mitigates the dishonesty of the material not a jot, such embittered passion is given its full due by the film, all the way to a biblical epilogue." [5] TV Guide wrote: "Director Dmytryk and writers Hunter and Powell ignore any political, social, or emotional aspects of the material and play directly to the viewer's blood-lust ...
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