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In other projects ... 0 4 7 t: Major Dominant seventh flat five chord: ... List of set classes; Ninth chord; Open chord; Passing chord; Primary triad;
The "transformations" of transformational theory are typically modeled as functions that act over some musical space S, meaning that they are entirely defined by their inputs and outputs: for instance, the "ascending major third" might be modeled as a function that takes a particular pitch class as input and outputs the pitch class a major third above it.
This is a list of set classes, by Forte number. [1] In music theory , a set class (an abbreviation of pitch-class-set class ) is an ascending collection of pitch classes , transposed to begin at zero.
In harmonic analysis and on lead sheets, a C major chord can be notated as C, CM, CΔ, or Cmaj. A major triad is represented by the integer notation {0, 4, 7}. A major triad can also be described by its intervals: the interval between the bottom and middle notes is a major third, and the interval between the middle and top notes is a minor third.
Using lead sheet chord names, these chords could be referred to as A minor, D minor, G major and C major. [ 1 ] In music theory , Roman numeral analysis is a type of harmonic analysis in which chords are represented by Roman numerals , which encode the chord's degree and harmonic function within a given musical key .
The normal form of the diatonic scale, such as C major; 0, 2, 4, 5, 7, 9, and 11; is 11, 0, 2, 4, 5, 7, and 9; while its prime form is 0, 1, 3, 5, 6, 8, and 10; and its Forte number is 7-35, indicating that it is the thirty-fifth of the seven-member pitch class sets. Sets of pitches which share the same Forte number have identical interval ...
To analyze seventh chords indicate the quality of the triad; major: I, minor: ii, half-diminished: vii ø, or augmented: III+; and the quality of the seventh; same: 7, or different: 7 M or 7 m. [2] With chord letters used to indicate the root and chord quality, and add 7, thus a seventh chord on ii in C major (minor minor seventh) would be d 7. [1]
Tonic triad: C major; Tonic seventh chord: C M7; Dominant triad: G (in modern tonal thinking, the fifth or dominant scale degree, which in this case is G, is the next-most important chord root after the tonic) Seventh chord on the dominant: G 7 (a dominant seventh chord, so-called because of its position in this – and only this – modal scale)