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The Series 1S was introduced in 1975 as an upgraded Series 1. The Series 1S introduced the classic Soundcraft four-band EQ with two sweepable mid-range sections. In addition to The Series 1S added a second foldback send and was available in a 20 channel version. [3] In 1975, Soundcraft introduced the Series 2 console as a live and recording ...
The output signals of the matrix mixer may be digital, or they may be balanced or unbalanced analog. It is possible in a matrix mixer to combine an all-analog signal path with digital control of level. [3] Any audio console that lacks a matrix section may be connected to an external matrix mixer.
Inserts on analog mixers appear in various locations in the signal flow, depending on user configuration or the vision of the designer. Most inserts tap the signal after the microphone preamplifier and after the high-pass filter, if present. Others tap the signal after the channel EQ and before the fader.
He designed the Soundcraft Notepad, "a bit of a cult product" which is a small and "elegant" mixer. [4] The Soundcraft GB30 microphone preamplifier circuit is a successful Blyth design used on many of Soundcraft's mixers, [1] including the FX model lines which include digital reverberation effects by Lexicon, a sister company within Harman. [15]
In 2005, another Harman division, Soundcraft, introduced a "UREI-by-Soundcraft"-badged 1620LE mixer, with 'LE' standing for 'Limited Edition'. [9] The mixer was a re-issue of the UREI 1620, a 1980s-era clone of Rudy Bozak's classic 1960s-era rotary-style DJ mixer, the CMA-10-2DL. [10] Soundcraft provided the new product line with its own website.
A DJ mixer may have only two channels, for mixing two record players. A coffeehouse's small stage might only have a six-channel mixer, enough for two singer-guitarists and a percussionist. A nightclub stage's mixer for rock music shows may have 24 channels for mixing the signals from a rhythm section, lead guitar and several vocalists.
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