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"Haegeum" (Korean: 해금; lit. Unblock) is a song by South Korean rapper Agust D, better known as Suga of BTS. It was released on April 21, 2023, through Big Hit Music, as the second single from the rapper's debut studio album D-Day. Written and produced by Agust D, the song is a hip hop track that addresses themes of freedom and liberation.
In the context of Christian liturgy, a canticle (from the Latin canticulum, a diminutive of canticum, "song") is a psalm-like song with biblical lyrics taken from elsewhere than the Book of Psalms, but included in psalters and books such as the breviary. [1]
The haegeum (Korean: 해금) is a traditional Korean string instrument, resembling a vertical fiddle with two strings; derived from the ancient Chinese xiqin. It has a rodlike neck, a hollow wooden soundbox, and two silk strings, and is held vertically on the knee of the performer and played with a bow.
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[1] [2] It is essentially a modernized form of the haegeum (a traditional Korean bowed vertical fiddle). Its tuning pegs are like those of the violin, inserted from the side, compared to those of the haegeum, which are inserted from the front. The bow used is not used in between the strings but is played from the front like the violin also.
The lyrics also show a trend toward those more commonly associated with "Children, Go Where I Send Thee." For instance, the line "Two, two, the lily-white boys clothed all in green" in Grainger's recording has become "One was the little white babe all dressed in blue" in the Bellwood Prison Camp recording.
Children's Bibles, or Bibles for children, are often collections of Bible stories rather than actual translations of the Bible and are aimed at children. [1] These adaptations of the Bible are written to be more understandable and entertaining for younger audiences. [2] There is a range of simplicity across various children's Bible publications.
Religious songs have been described as a source of strength, as well as a means of easing pain, improving one's mood, and assisting in the discovery of meaning in one's suffering. While style and genre vary broadly across traditions, religious groups still share a variety of musical practices and techniques.